FT3CST-Cinema, Spectacle and Technology

Module Provider: Film, Theatre and TV
Number of credits: 20 [10 ECTS credits]
Level:6
Terms in which taught: Autumn and Spring (Double presentation)
Pre-requisites:
Non-modular pre-requisites:
Co-requisites:
Modules excluded:
Current from: 2020/1

Module Convenor: Prof Lisa Purse

Email: l.v.purse@reading.ac.uk

Type of module:

Summary module description:

Cinema has a long tradition of seeking to guarantee its market share through the spectacular, but the spectacular is also frequently derided as ‘just entertainment,’ unworthy of sustained examination. In this module we will explore the ways in which film style, technology, economics, narrative and culture intersect at key moments in the history of spectacular cinema. We will also study how spectacular cinema has been understood and responded to, looking at the key debates that spectacular cinema has prompted in film scholarship, film criticism, the press and in fan communities.Ìý

This module is taught twice to two different cohorts of students -Ìýfirst in theÌýAutumn term and then repeated in the Spring term.Ìý The 200 contact hours are listed for the firstÌýiteration of teachingÌýinÌýthe Autumn term, and these same contact hours are repeated for the second iteration of teaching in the Spring term.

Aims:

•ÌýÌý ÌýTo develop students’ understanding of the contexts in which developments in cinematic spectacle, and debates about cinematic spectacle, emerge;

•ÌýÌý ÌýTo extend students’ skills of close reading and contextual analysis;

•ÌýÌý ÌýTo encourage students’ critical engagement with works of film criticism and theory;

•ÌýÌý ÌýTo encourage students in the confident expression of their ideas, and to extend their ability to construct evidence-based arguments.

Ìý

Assessable learning outcomes:

By the end of the module, it is expected that students will be able to:

•ÌýÌý ÌýDemonstrate an understanding of the key critical debates around the cinematic spectacle at key moments in film history;

•ÌýÌý ÌýDemonstrate an understanding of related critical debates on film historiography, technological determinism, realism and verisimilitude;

•ÌýÌý ÌýDemonstrate an understanding of the cultural, industrial a nd artistic drivers and consequences of cinema spectacle’s technological and stylistic innovations;Ìý

•ÌýÌý ÌýMake detailed analyses of individual film texts informed by these critical and theoretical perspectives;

•ÌýÌý ÌýRelate their understanding of the elements of film style, technology and industry explored on the module to their developing understanding of wider critical and theoretical frameworks, including debates around narrative, point of view, editing, sound and mise-en-scène, and cultural production and representation.

Ìý

Additional outcomes:

The module plays a significant role in the continuing development of other skills and competencies, which are central to the course. It is expected that the level of skills and competencies achieved in the following will be appropriate to the level of study: oral communication and argument in group situations; deployment of research using printed and electronic resources; critical analysis and coherent argument; undertaking self-directed, independent work; presentation of written work using IT; identifying and addressing problems in the analysis of film narrative and narration.

Outline content:

The module will comprise a series of case studies which each focus on a specific figure of cinematic spectacle in film history. Students will bring together their contextual reading and screenings of pertinent materials with seminar discussion.

Global context:

Developments in film technology will be situated in relation to the global contexts of film production.

Brief description of teaching and learning methods:

Within the two-hour class, a range of teaching styles will be used and may vary from week to week. Where appropriate, lectures will be used to establish contexts and introduce issues for discussion and debate. The dominant teaching form will be the seminar, which will concentrate primarily on close analysis of films and discussion of critical approaches, and through which students can test out and develop their thinking in a supportive environment. Seminars will require preparation in the for m of weekly screenings and specified critical reading. One trip to a cinema screening or London or Reading may be arranged as part of the module, and students will need to bear the cost of the ticket and travel (approximately £35 for a London-based ticket and train fare).

Contact hours:

Ìý	Autumn	Spring	Summer
Lectures	18
Supervised time in studio/workshop	32
External visits	4
Guided independent study:	146
Ìý	Ìý	Ìý	Ìý
Total hours by term	200
Ìý	Ìý	Ìý	Ìý
Total hours for module	200

Summative Assessment Methods:

Method	Percentage
Written assignment including essay	100

Summative assessment- Examinations:

Summative assessment- Coursework and in-class tests:

Formative assessment methods:

Penalties for late submission:

The Module Convenor will apply the following penalties for work submitted late:

• where the piece of work is submitted after the original deadline (or any formally agreed extension to the deadline): 10% of the total marks available for that piece of work will be deducted from the mark for each working day[1] (or part thereof) following the deadline up to a total of five working days;
• where the piece of work is submitted more than five working days after the original deadline (or any formally agreed extension to the deadline): a mark of zero will be recorded.

The University policy statement on penalties for late submission can be found at:
You are strongly advised to ensure that coursework is submitted by the relevant deadline. You should note that it is advisable to submit work in an unfinished state rather than to fail to submit any work.

Assessment requirements for a pass:

An overall mark of 40% in coursework.

Reassessment arrangements:

Resubmission of failed coursework.Ìý

Additional Costs (specified where applicable):

Last updated: 22 May 2020